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“The Modern”
Occasion: | Cuisine: | Area: | Cost: | Rating: |
Night Out | New American | Midtown | Break the Bank | Good |
Soon we were starting in on our appetizers, which were stunning—they could have been photographed and featured upstairs on the museums walls they were so precise and supremely modern in style. The Potato Gateau with Escargots was a gorgeous dish—golden slivered potatoes wrapped into a circular tart that resembled a Nautilus shell, filled up with plump escargot and set in a shallow pool of zippy gingered parsely jus. The Chilled Lobster Salad, set over a fine julienne of black radish and topped with Thai long pepper sorbet, was not for me though. The flavors were bitter and bracing and seemed to be fighting with eachother on the plate. The Tartare of Yellowfin Tuna and Diver Scallops was a beautiful dish of absolutely perfect cubes of fish (God bless those fish cooks), scattered like jewels across the plate with Yellowstone River Caviar. While it was stunning to look at, sadly, it fell flat on flavor. It was drab and dreary, with no bright notes to pick it up. And I was confused by the Salad of Celeriac with Minced Oysters, Almond Cream and Yellowstone River Caviar. It was quite strange—it looked like a miniature wailing wall, a wide domino standing up on its side, built from little pellets of diced celeriac folded in with the almond cream. The celeriac was raw, and diced fine so it had the texture of something from a BB gun. Honestly, I don’t know what was going on there. The dish was lost on me.
The Long Island Crescent Duck Breast was spectacular though—a lovely ode to Daffy—impossibly tender slices of duck topped with a heavenly mop of black truffle marmalade, served in a Banylus jus with luscious hunks of foie gras sandwiched between sliced turnips. Well, it could have been turnips, or it could have been rhubarb. We weren’t ... [more, click below]
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